Showing posts with label True Blood. Show all posts
Showing posts with label True Blood. Show all posts

Monday, September 5, 2011

I refuse to labor today. Therefore I didn't work on this post much. IT IS MY RIGHT AS AN AMERICAN.

It's Labor Day! Our nation's most ironically-titled holiday. Hooray!

As it's Labor Day, I really should celebrate by not-laboring. So someone else really should come over here and do my laundry, dishes, housecleaning, and write today's blog entry, so I'd be free to finish the book I've been reading for two weeks, watch a little television, and make my lunch appointment without rushing around like a maniac. WHY AREN'T YOU ALL JUMPING IN TO VOLUNTEER. This is a fantastic opportunity.

Fine. 

Let's talk about things that are upsetting. How is this different from what I do on any other day? IT ISN'T.

First: True Blood.

(spoilers, so if you're not up on, and caught up to, last night's episode, skip ahead. Or just read, because you know what? IT ISN'T WORTH YOUR TIME.)

True Blood was one of my favorite things when it first came out. I'd read the series; other than the silliness quotient (rather high at times), it was entertaining and enjoyable. Season One was one of the best shows on television. Alan Ball, I was convinced, could do no wrong. Yes, Sookie was a complete numbskull and Bill annoyed the piss out of me, but the cast of supporting characters was amazing enough that you could ignore the two of them and just daydream about Pam and Eric when they were on doing their "Sookeh! Beeel!" bullshit and all was well.

Season Two was a crapfest, and no one understood really what was going on there. Orgies! All the time! So many orgies! Bloody orgies with old people whose bodies were not enjoyable to look upon! Supporting cast was still fun, but the orgy thing (which I'm pretty sure was Alan Ball thinking, "People? They like the nudity! Let's have lots! Plot? Eh. Whatever") was exhausting. 

Season Three was better - not back to the glory that was Season One, but better.

And now we're in Season Four, and it is not only a crapfest, it is an ENTIRE CRAP ALL-YOU-CAN-EAT-BUFFET. Witches - which aren't a bad idea - have taken over the plot. And they are ridiculously stupid and the plot is poorly written with holes you could pilot the Titanic through and none of the previously saving-grace supporting characters are even acting like they're supposed to and are being given enough screen time because IT'S ALL ABOUT THE EFFING WITCHES. Someone asked me if they should watch an episode they had DVR'd and I told them the best thing I had to say about the episode was that Jessica's hair was shiny and sometimes Jason was funny, a little. And that was being kind, because Jessica's hair wasn't that shiny and Jason wasn't that funny. Alan Ball checked OUT for this season. It is AWFUL. An example: last night, the witches were attempting to kill all the vampires (as they have in almost every episode this season.) Sookie didn't want this to happen so she decided to use her magical fairy hands to stop them and flashed the witches with fairy light. OK, fine. But the head witch got angry and put Sookie in a ring of flames that kept moving in closer to her as punishment, attempting to kill her. Sookie - whose magical hands can restore memory, erase curses, knock people off their feet, etc. - just stood there, whining for help, crying out for "Beeel! Eric!" over and over, and not doing anything to help herself. OK, so you're able to save all the vampires one second, but unable to save yourself immediately after? Why is that, exactly? Pam asked Eric and Bill why they were going to risk the entire vampire race for "a gash in a sundress" last night and I completely agree (and I heart Pam because apparently she is the only voice of reason in the entire town.) Seriously? Sookie has NO PERSONALITY. She just sits there looking pretty, puts out, and once and a while yells at people and has fairy hands. Wow. Totally one-in-a-million! Unfortunately, the fire did not kill her, so we're still dealing with her nonsense and whining and inability to choose between lovers and whatnot.

Also, they FINALLY killed off the head witch, who has been the most annoying character alive for the entire season, and then BROUGHT HER BACK TEN MINUTES LATER. Alan Ball! I kind of want to punch you in the throat right now.

Next: J.C. Penney.

Last week, J.C. Penney - totally on the pulse of fashion! - came out with this shirt for children and teens:
The tagline on the website read: "Who has time for homework when there's a new Justin Bieber album out? She'll love this tee that just as cute and sassy as she is."

After Twitter went utterly and completely bugshit over it, J.C. Penney discontinued the shirt, but the point is - IT MADE IT ONTO THE WEBSITE. This was marketed to young girls.

If it didn't result in so many people being furious at the store, I'd assume J.C. Penney (who, let's face it, really isn't super-hip or buzzed about at the moment) had done this in a trolly, "it will get people talking and any publicity is good publicity" way. And maybe they did? They seem like they're run by old people. And maybe old people think "Oh, the Tweeter! We have to get people Twitting about us on the Tweeter. This will do it!" I don't know. It doesn't seem like this could be for real, does it? I mean, this looks like a joke t-shirt. Like something you'd see on a super-ironic hipster, or a homeless person who found it in a dumpster.

We had Teen Talk Barbie in the 90's with her "Math class is tough!" and we have Maggie Goes on a Diet coming out in October which is rumored to encourage our teenage girls right into eating disorders and, in real life, we had my freshman year science teacher, when I had trouble understanding a concept and had asked for further help with it, telling me not to bother - "Girls don't have a brain that's wired to understand science" and my Physics teacher, a few years later, telling me a variant on the same thing: "Physics is for boys; it's ok that you didn't do as well on the test, because you're a girl, and physics is too hard for girls."

Stand still, young girls. Look pretty, young girls. Be quiet, young girls. Smile big, young girls. Don't fight, young girls. Don't try, young girls. Don't worry, young girls. Be perfect, young girls. Be nothing, young girls. Be empty, young girls. Don't bother, young girls.

Young women of the world: society is going to continue to put you down. It is up to you to fight that. Guess what? You are just as capable as a young man of doing well in school. You are just as capable as a young man of doing well in stereotypically MALE courses - math, science, computer science, effing WOOD SHOP, if that still even exists? - as a young man. Until we no longer accept things like this, they will keep happening.

Also, Justin Bieber? Really? Sigh.

Now, to balance out the negative: two things that are shiny-awesome:

First: hope for a new generation.

Banned Book week is fast approaching, and we'll discuss that more when it gets here, but I found this the other day and it just made my heart soar.

There are kids who are making a difference out there. There are kids like this one who are running an illegal banned-book library out of an empty school locker. (And, even better? She didn't include Twilight in her secret library. You know, because it isn't literature. I love this kid.) She's probably going to get caught, but you know what? She did it. She believed in something and she did something about it. This kind of kid is the reason I don't completely despair about the state of society. Her parents are raising her right, too. I don't want kids? But I'd want this one.

Second: Red State.
As mentioned in the past, I'm a huge Kevin Smith fan. His new movie, Red State, is out on VOD this week, so last night, when I couldn't sleep, I rented it and watched it.

It's not a typical Kevin Smith movie, first off. There are Kevin Smith touches - dialogue is dense, well-written and crisp; monologues are typical Smith (which some people might hate, and he can be a bit heavy-handed, but I love them); camera work is beautiful (which may not as much be Smith as the cinematographer? I have a theater background where it's all the director, so I'm not sure.) 

It's not a comedy, though. I'll try not to be too spoilery, but if you want to remain completely spoiler-free, probably go to your barbecue now?

At heart, it's a thriller. Three boys are lured into a cult-like fanatic religion and the ATF shows up on rumors of automatic weaponry being amassed. It's upsetting. Really, really upsetting. Bloody and gory-upsetting, yes, but crazy fanatacism upsetting, which I find scarier any day than clowns or zombies or creepy children jumping out from behind things with knives.

The cult leader is based on that nutbar Phelps from the Westboro Baptist Church (but ISN'T him, as Phelps is actually mentioned by one of the law-enforcement officers.) And if you think Phelps hates homosexuality...wait until you meet this guy. You might think it's over-the-top - but it's not, not really. There are people like this. And that's horrifying. It frightened me to the point of tears.

The violence is realistic and very bloody. If you have an issue with that, don't watch it. There's a little humor, but not much. Lots of stars - Kevin Alejandro from True Blood, John Goodman, Melissa Leo, Kevin Pollack, apparently Marc Blucas but I never saw him or recognized him, Kyle Gallner from Veronica Mars, Stephen Root, Betty Aberlin from Mr. Rogers' Neighborhood, Jennifer Schwalbach. 

It wasn't what I was expecting at all - but it was very powerful. And very upsetting. I recommend it. But don't go into it expecting it to be like anything you've seen from Kevin Smith before.

Happy Labor Day, all! Enjoy the day off. Barbecues! Alcoholic beverages! End of summer! Last day for white pants! (I can't imagine even owning white pants. That would be such a mistake. Can you IMAGINE the things I would spill on them? Disaster! Waiting to happen!)

Sunday, June 26, 2011

A Land of Both Shadow and Substance, of Things and Ideas

The fourth season of True Blood starts tonight. I’ve been looking forward to this for almost a year, ever since season three ended. I’m a big fan of this show. Well, let’s get this out up front: I’m a fantasy/horror whore. (Whoo, say that three times fast.) Sci-fi and I are on friendly enough terms, but fantasy and horror and I have been going steady since we were introduced in junior high.

I have my last babysitter to thank for this. At the end of sixth grade, my mother went back to work, and decided that I was one year away from being old enough to be a latchkey kid, especially one with her younger brother as a ward. (To be fair, we didn’t get along, and it was a very serious concern that she would come home and find one or the other of us murdered in a creative way.) She found a local girl willing to watch us for the summer. It must have been a decent enough gig: I was twelve and didn’t want to do anything but read, and my brother was eight and I believe spent the entire summer riding up and down our street on his bike. She was a big reader, too. One day, I picked up one of her books.  No cover – she got them from garage sales, usually. I was looking for something new to start. “Can I read this?” I asked. She thought about it, and then acquiesced. “Yes, but if there’s anything in there you don’t think your mother would approve of you reading about – well, don’t tell her about it, ok?” she said.

It was Stephen King’s The Stand. I have had small affairs ever since, but horror and I are very, very serious about each other. Fantasy joined us a few years later. We’re very happy with one another. That summer, and for the next year or so, I burned through Stephen King books like a desert castaway coming upon an oasis. I still love Mr. King. I know he has his detractors, but I’ll read anything and everything he puts out, for the rest of his career. I’m not so blindly devoted I can’t see which of his books I like more than others (It and The Stand are my all-time favorites; not as big of a fan of Duma Key or Lisey’s Story; The Dark Tower series is in a class of its own for sheer depth and breadth and brilliance) but reading his work is always like coming home to an old friend. You know their voice and you love them, even if they’ve changed since last you met.

If there’s a horror or fantasy series on television, I will watch it. I’ll at least give it a chance. Sometimes I’ll give up – they’re not always good (coughKingdomHospitalcough) – but they’re usually something I’m interested enough in to watch.

I thought today, in honor of it being True Blood day, I’d list my top 10 favorite horror/fantasy/sci-fi series of all time.

There may be spoilers here. Probably not too recent; to be honest, I am approximately 7 months behind on almost all of the programs I watch right now, so you will probably be safe. But if you want to be sure you remain completely spoiler-free, you should stop reading now. Also – yes, I know A Game of Thrones is not on here, and a lot of you are going to be saying, it is the best thing ever, how can it have been left off? I haven’t seen it yet. I’m finishing the book first. There are a lot of things I had to leave off because I liked these ten best, as well.

#10         Fringe   This show didn’t wow me immediately. To be honest, I started watching it for Joshua Jackson. Yes, I have a Pacey thing. Be honest with yourself – you don’t know a lot of women who don’t. (And in real life, he’s educated, well-spoken, and seems kind. Bonus!) But once I got into it, I stayed. John Noble is a big part of that. His performance as Walter Bishop, and as his own doppelganger – has been nothing short of brilliant over the years. Give the man a Golden Globe, already. (Also, did I mention Pacey is in it? Because he is.)

#9           Supernatural     Hot boys with daddy issues fight supernatural creatures. I know. It sounds teeny-bopper stupid. It’s actually very intelligent; it’s got heart; it’s well-written; and ok, fine, Jensen Ackles is one of the most attractive men to ever grace a television screen, but that’s beside the point, really. The show is wonderful.

#8           Lost        This would have scored higher if I wasn’t one of the people who hated the ending. I know, I know, it was deep, and maybe I was too stupid to get it. Thing is, they promised everything would tie together at the end – and it didn’t. There’s nothing I hate more than making a promise, then not carrying through. That being said, when this show was good, it was brilliant. It had some of the best cliffhangers and season premieres in television history. And it turned everyone into armchair geeks the next morning, discussing theories, which I loved.

#7           The Walking Dead          This has only been on for one very short season, and it’s already an instant favorite. This show pulls no punches. It shows everything, no matter how gory. But it’s not just about gore. The writing and acting are top-notch; the cinematography is beautiful and desolate; and the stakes are so high you both imagine what you’d do in the same situation and thank your lucky stars you aren’t in that situation (yet! Mu-ha-ha.)

#6           Firefly   Heads up, I’m a huge Joss junkie. (Angel and Dollhouse almost made the cut, but not quite.) I didn’t watch this show when it aired – didn’t think I’d like it, because at the time, I didn’t think I liked sci-fi or westerns enough to like it. I should have trusted Joss. It’s a space western. You love each and every member of the crew. And it being cancelled after one season is one of the biggest travesties on television today. I can’t single out any one crew member as being my favorite, because I love them all, like the dysfunctional family you make for yourself out of friends, you know? And it has one of the best theme songs of all time.

#5           True Blood          I like the books; I’m obsessed with the series. Alan Ball gave it legs and let it develop on its own, and it’s wonderful. He listened to the fans and kept characters around that were murdered in the books because they were beloved. He made (thank you, Mr. Ball!) Eric more three-dimensional and a lot more interesting. (And gave him a haircut. And women around the world squeed.) And tying in vampires coming out with homosexuality in America was a brilliant touch. I can’t wait to see where it goes next.

#4           Quantum Leap  I was young when this aired, but it remains one of the first shows I became truly invested in. I wanted Sam to find his way home. I cheered for him. I wept for him. And that last episode, and that final line of text, right before the credits – did anyone see this? Is it still spoiling, if the show went off the air like twenty years ago? “Dr. Sam Beckett never returned home.” Oh my word. Shows today wouldn’t touch that with a ten-foot pole. So ahead of its time. Brilliant.

#3           The Twilight Zone            I think it’s a testament to this show that I am glued to the television when the marathons of this air every fourth of July and New Year’s. I even re-watch the episodes I’ve already seen. But the one I always re-watch, no matter what I’m doing, the one I plan my holiday around, is “Time Enough at Last” with Burgess Meredith. Best moment in Twilight Zone history, hands down, the last minute of that episode. It makes me cry just thinking about it, because I am a bookworm, and I wear glasses, and I know if I were the last person on Earth, reading would be all I would want to do. The first time I watched that I was wrecked. I walked around like the survivor of a natural disaster. I’d break into tears at the drop of a hat. That is lasting television and brilliance and just storytelling and imagination at its finest.

#2           The X-Files          Pretend this show ended before the shenanigans at the end occurred, with new agents, and Mulder and Scully having a kid, and Mulder missing, and less Scully. Wipe the slate clean of that. Now imagine “Home,” or “Humbug” (Mulder standing on the steps of the trailer, in profile, reviled by the circus geek as one of the “norms”) or “Jose Chung’s From Outer Space.” This show was brilliant, back when it was brilliant. Mulder and Scully’s chemistry was equaled by none; the stories were crisp and heart-rending and heart-racing; and sometimes people you loved died. It was true, and it was a show about finding what was true, and when it was good, it was better than good. It was goddamn regal.

#1           Buffy the Vampire Slayer             No show will ever live up to my gold-standard, my Buffy. I knew the characters. I lived their lives with them. I celebrated and cried with them. I hurt with them. I fell in love and fell out of love and was hurt with them. “The Body” remains, and will always remain, one of the most affecting hours of television ever aired. “Hush” managed brilliance without more than a couple of words for an entire hour. “Once More, with Feeling” was a freaking musical episode, back before everyone was doing those. I’ve seen the episodes so many times I can usually watch a few minutes of one and tell you its name and season its from. I see Buffy alumnae in other shows (even Buffy writers in other shows) and I melt a little. So, to you, Buffy, I give you the title: Best. Show. Ever.

I know, I know. I left off Star Trek. (Never watched it.) Same with Dr. Who. (Sorry. I’m a heathen.) But this is my top ten. And what’s great is, I could revisit this a year from now and it might be completely different.

Thoughts? Questions? Concerns? I’m curious, what would you have put on/left off?

Enjoy True Blood tonight – I’ll be the one quietly ogling Eric from my couch.